The Movie MusicalPosted: December 23, 2020
The Movie Musical!
Knopf (November 5, 2019), 730 pages
Kindle edition $17.99, Amazon hardcover $27.11
As you can see from the page count, this is a big book. Basinger presents a comprehensive history of the movie musical. She starts in the silent era, discusses a sort of hybrid in which the studios added sound to some sections of silent films (“part-talkies”), and then continues on to films with sound. Although she focuses a lot on films of the twenties, thirties, and forties, Basinger mentions movies released as late as 2018.
The author’s knowledge of the subject is encyclopedic, and she discusses scenes from some movies in what is at times excruciating detail. The book was nonetheless an enjoyable diversion from the struggles and travails of this most unhappy year, and Basinger offers many insights and behind-the-scenes glimpses. When discussing Broadway shows that were made into movies she distinguishes between filmed stage performances and shows genuinely adapted for film. She prefers the latter.
Basinger has some odd perspectives. She refers to certain Broadway adaptations from the seventies, including Fiddler on the Roof and Jesus Christ Superstar, as being not “truly successful.” Say what? In discussing Straight Outta Compton, she dutifully acknowledges the complaints of plagiarism, violence, and abuse of women, and then tells us what an excellent film it is. The author goes to great pains to explain how the opening of Meet Me in St. Louis is such an excellent example of how to start a musical because it lets the viewers know what to expect. She then later praises the opening of The Sound of Music, with its helicopter view of Julie Andrews singing the opening number on a mountain meadow. That scene, while spectacular and uplifting, gives the viewer no idea of what to expect in the movie, with its love interests and its Nazis.
But enough complaining. The book was both informative and fun to read, and if you enjoy movie musicals I think you will find it well worth your time.