AdriaticPosted: August 10, 2022 Filed under: Audiobooks, Books Leave a comment
Adriatic: A Concert of Civilizations at the End of the Modern Age
Robert D. Kaplan
read by Arthur Morey
Random House Audio, April 12, 2022
$27.56 for Audible members, more for nonmembers
purchased with an Audible credit
Decades after working in the region as a reporter Robert Kaplan returns to the lands bordering the Adriatic Sea as a sort of tourist, though he still has something of the reporter in him.
In Italy, Kaplan visits Rimini, Ravenna, Venice, and Trieste. He makes a point of visiting the major architectural and archaeological sites and his words evoke the power and beauty of the cathedrals and other structures. He throws in a lot of history and explains how the past created the foundation for later centuries. He also invokes literature, discussing Dante while in Vienna and Frazer’s Golden Bough in Ravenna. We also hear much about James Joyce and TS Eliot.
Once he leaves Trieste he travels to the the Balkans: countries that were once satellites of the former Soviet Union. Here he abandons his solitary journey and reports his conversations with the residents of the various countries. He begins with everyday citizens, but ultimately ends up talking with the power brokers in the post-Soviet landscape. He doesn’t abandon history but put his focus on more recent events.
I enjoyed the first part of the book and the combination of travelogue, history, and literature as Kaplan visited the various cities in Italy. Once he started traveling in the Balkans, however, I had a hard time caring much about the politics and infrastructure struggles of the region.
Kaplan has an odd fascination with Ezra Pound. He has obviously read the complete Cantos and admires some of them while thinking less of others. He also is highly critical of Pound’s fascist sympathies. Given Kaplan’s distaste for Pound’s politics it’s rather odd that the author gives Pound the amount of attention that he does.
Kaplan’s perspective is one of age and maturity, looking back on his earlier life as a reporter. As such, Arthur Morey’s mature voice delivers the ideal narration for Adriatic. He takes ownership of Kaplan’s feelings and emotions and channels them expertly.
The book is an odd mixture of genres, though the author warns the reader at the beginning that he will delve into modern politics after providing the historical background. Still, the book holds together, though I would have been happy with the Italian portion of the journey alone.