The University of Nebraska at Lincoln Singers, Pete Eklund, conductor at the First Plymouth Church in Lincoln Nebraska. Some great, soaring music!
It’s been a while since I’ve shared a John Rutter arrangement.
Those of you who have been reading this blog for a while know that I began attending Pitzer College in Claremont in the fall of 1971 and graduated in the spring of 1975. I hung around Claremont for another two years before leaving California to open a new B. Dalton Bookseller in Laredo, Texas in June of 1977.
The radio station KNX-FM had a mellow rock format throughout the 1970s, and I was a regular listener until I hit the road for Texas. I have often thought about that station and reflected on how I’ve missed it, even after all these years.
I was surprised and delighted, then, when Richard Wagoner’s radio column, which appears in Southern California News Group newspapers, announced that KNX-FM has been reincarnated in an online form. You can find it at https://www.knxfm93.com. The stream is available in a variety of formats, so there should be a format available for whatever device you use.
Many of you know how much I love and how much I use my internet radio. Very shortly after reading Richard’s column, I added the Windows Media Player URL to the My Streams folder on my internet radio and then booted off the SiriusXM Coffee House preset to make room for the new KNX-FM stream.
It’s nice to have that familiar sound at the touch of a button.
One of my favorites, performed live by the Villanova University Pastoral Musicians during the concert “Unitas, Veritas, Caritas; Celebrating 21 Years of Pastoral Music.”
Wasn’t That a Time: The Weavers, the Blacklist, and the Battle for the Soul of America
Da Capo Press (November 6, 2018), 297 pages
Kindle edition $13.99, Hardcover $15.43
If you are interested in the history of folk music in America this is fascinating reading.
The Weavers were a highly influential folk group in after World War II and throughout much of the 1950’s. The book discusses the background of each member of the group and how their paths led them to form the Weavers. A large portion of the book discusses the group’s struggle with the blacklist. It was interesting to learn that blacklist pressure came not only from the House Un-American Activities Committee but from private organizations intent on rooting out people they suspected to be Communists or Communist sympathizers.
The author describes how the driving force behind the Weavers, the great Pete Seeger, left the group when the group consented to do a commercial jingle, which, ironically, never aired. Jarnow even describes the collaboration of the only female in the group, Ronnie Gilbert, with the next-generation activist singer Holly Near. In fact it was on Holly’s CDs that I first became familiar with Gilbert.
If the era and the subject matter interest you this book is well worth your time.
Arrangement by John Ferguson, First Plymouth Church, Lincoln Nebraska.
Some time back I shared a sacred dance version of this song. Here is a very nice solo rendition.